Reply To: Color Palette

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Suzanna Lasker

I usually end up with an earth pigment palette with my watercolors, yellow ochre, burnt sienna, raw and burnt umber, ultramarine blue, and a few non-earth pigments, moonglow (Daniel Smith), olive green, alizarin crimson brown — they’re pretty harmonious…it would seem that burnt
sienna for the red is dull and dreadful, but with the palette it works…